Triptych
comes from the Greek term meaning three (trip) fold (tych). This usually refers
to a work of art that is divided into sections (3) and linked together.
Many modern artists have created pieces that were designed to be displayed together and the thus triptych has become very popular and over recent years more so in the digital photography field.
Many modern artists have created pieces that were designed to be displayed together and the thus triptych has become very popular and over recent years more so in the digital photography field.
So why make
triptychs anyway?
Many
people can find the creation of a single image challenging let alone dealing
with three associated images. But the challenge is worth taking on as it will
enable you to expand your ideas around composition and structure, and will
encourage you to reinterpret and re-evaluate your photographic images.
For
those who follow my blog on a regular basis will have noted that I include a
large amount of photos based on aviation. When I’m not running around doing my
normal sports photography I like to capture
classic aircraft, specifically those from a by gone era, i.e. world War
1 and 2
After recently re-reading an article in one of my old photography magazines, I thought It
would be a good idea to go back through my ever growing collection of old aircraft photos a(12,500!!) and see if I could compose a
Triptych composition.
So what was I looking for in my photos?
Establishing a strong sense of unity and synchronicity across all three
of my images was the most important element and to achieve this you can deploy
different techniques;
· Consider your
angle of view. Do you want this to be similar throughout or deliberately varied
for a specific effect?
· How close or
far away from your subject matter? Inconsistently sized subjects across
your panels may result in a disjointed look.
· Will the depth of field be the same across all the panels?
· Keep your
colour palette consistent and unified.
· Avoid strong,
distracting colours
· Avoid having
bright sections on the extreme edges of your outer panels, this will break the
flow across your pane.
· Use the
natural shapes, lines and patterns to establish visual connections
· Use the
shapes and patterns inherent in your subject to establish visual connections across
the three images
· Consider
mirroring effects to provide a sense of symmetry and balance.
· Keep the
elements in each panel roughly the same size.
I’m sure there are more techniques out there
and at the end of the day it will be down to your subject matter.
For me the
outcome is to create a story around the subject and as shown in my
example above, I have focused on a particular scene I photographed at the Omaka
Heritage Centre.
3 Photos, combined to form a Triptych composition (Digitally tweaked) |
By taking several shots of the subject from varying angles , I hopefully have captured the ensuing air battle
and at the same time provided an interesting perspective through the
implementation of triptych.
Thanks for popping by, and hopefully you found this article interesting. Pop back soon.
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